SSL BIG SIX 6-Channel Mixer and Audio Interface

BIG SIX | Desktop Mixer and Audio Interface Benchmark SuperAnalogue audio performance Professional routing and monitoring Classic SSL channel processing Full-size 100mm faders, Mute–Bus B, PFL 18-input analog summing at mixdown Legendary G Series Master Bus Compressor Completely balanced signal path Built-in 16-in/16-out USB-C audio interface A superb analog front end for recording BiG SiX combines production tools from iconic SSL studio consoles with the latest in hybrid workflow. G-Series Bus Compressor with renowned ‘Auto’ release, E-Series EQ, glorious sounding mic pres with channel processing, and advanced monitoring and routing, all designed on a SuperAnalogueTM foundation and brought together with full USB integration. BiG SiX is the essential SSL studio. BiG SiX is the natural evolution of the modern-day studio classic, SiX. Incorporating feedback from a wide range of artist, producers and engineers, BiG SiX increases its capacity in almost all areas with four SuperAnalogueTM mic pres, four SuperAnalogueTM stereo inputs with dual mono switching, 3 band E-Series EQ on every channel, dual independent headphone outs with source matrix and much more. Whether you’re wanting to take your content creation or post-production to the next level with SSL analogue processing or require advanced hybrid workflow for multitrack recording or stem mixing, BiG SiX offers absolute flexibility and creative agility for any production scenario. Four Mono Channels with SuperAnalogue Mic-Pres and SSL Compression BiG SiX’s first four mono channels make a superb front end for recording. Each includes a transparent SuperAnalogue mic preamp with 72dB of gain (enough to handle your passive ribbon mics), phantom power, a 75Hz highpass filter, a separate line-level input that can be switched to instrument level, and an SSL compressor with program-dependent attack time, fixed ratio and release time, and automatic makeup gain Plus, EQ, Insert Points, and Full-size Faders Each of BiG SiX’s channels (four mono and four stereo) includes a 3-band EQ derived from SSL’s classic E Series console. This gentle, broad-stroke design includes high and low filters at 3.5kHz and 60Hz, respectively, that are adjustable from 15dB to -15dB of gain and switchable between shelf and bell curves, with unique center frequencies for each type. You also get a fixed 700Hz mid-frequency control. Beyond that, there are balanced insert points on channels 1–4 for integration with outboard signal processing; and in the SSL tradition, the insert send is always active, so it can be used as a pre-fade, post-processing record send to your DAW. BiG SiX also features full-size 100mm faders with tapers that give you maximum control over the most usable gain range for both studio and live sound applications. 18 line Inputs During Mixdown While BiG SiX incorporates state-of-the-art AD/DA and a multichannel USB interface, you can eschew its digital features and operate it as a traditional analog mixing console. BiG SiX’s first four channels are mono, while its last four are in stereo, with trim and balance controls and 100mm faders. BiG SiX also features two stereo EXTernal inputs (with level controls) that can be sent to the stereo mix bus. It all adds up to 18 inputs that can be summed to the main mix bus during mixdown. The Coveted G Series Bus Compressor Worth the price of admission on its own, the mighty G Series Master Bus Compressor is available across BiG SiX’s main outputs. This is the classic SSL console circuit only with fixed ratio, attack, and release settings as well as an updated, state-of-the-art quad-VCA chip. The streamlined controls make it easy to enhance the sound of your mixes — or whatever it is you’re pushing through the master bus — with that legendary SSL punch and glue. Flexible Routing and Monitoring Given its scaled-down form factor, you may be surprised to learn that BiG SiX is equipped with two cue buses for artist mixes. The console’s master section has main and alternate monitor outputs with a proper monitor source matrix, as well as mono check, dim, and cut. There’s also a talkback mic input with phantom power and SSL’s classic Listen Mic Compressor (LMC), the latter of which can also be deployed as an effect. Capturing authentic ’80s drum sounds has never been easier! Full-fledged 16-channel USB-C Audio Interface Besides being a top-shelf desktop analog console, BiG SiX also includes a class-compliant, 16-in/16-out USB-C audio interface. The audio interface is paired with super-clean, 24-bit/96kHz AD/DA converters, which are connected to BiG SiX’s SuperAnalogue signal chain. Outstanding Sound, Feature Set, and Value BiG SiX sounds like an SSL — and from that vantage point, it’s a tremendous value when you consider what it (and its G Series Bus Compressor) can do for the sound of your program material. Second, derived from SSL’s large-format studio consoles, BiG SiX’s professional feature set is like nothing we’ve seen thus far in a compact mixer. Who ever heard of a desktop mixer with SuperAnalogue mic pres, full-size faders, two cue sends, a monitor source matrix, 18 line inputs during mixdown, and a G Series Bus Compresso